Shown for the first time in the UK at BVE (Stand J16) is the latest iteration of software for ContentAgent, the file-based workflow management and automation tool from ROOT6 Technology. ContentAgent was among the first tranche of products to be accredited by AMWA for AS-11 UK DPP deliverables and visitors to BVE can experience Insert […]
IBC, Amsterdam, September 13 2014… It is announced today that ContentAgent, the workflow management and automation tool from ROOT6 Technology, has successfully met the criteria set out as part of the DPP’s Compliance Programme, and has achieved AMWA certification. […]
Automated camera card ingest workflows for multiple users and Insert Edit capabilities for AS-11 UK DPP deliverables workflow are among new tools to streamline operations. […]
Fully Automated Workflows for Camera Card Ingest and Advanced Motion Compensated Frame Rate Conversion Included in Latest ContentAgent Software
ContentAgent builds on productivity benefits with significant new automation capabilities – including AS-11 DPP deliverables workflow for UK broadcasters. […]
In any end-to-end tapeless post-production workflow, one of the longest and most time-consuming processes is ingesting card-based media. Rows of Logging Assistants sit at banks of workstations, manually importing hundreds of hours of rushes to editing systems, transcoding to online and offline editing formats, and checking vital information such as the card name is recorded as metadata. In an age where file based systems are meant to afford the user greatly improved ease of use and time savings, it begs the question, why are these types of workflows not being automated? […]
Turn challenges into opportunities
As the nation’s major broadcasters start their switchover to file-based programmme delivery on the 1st October 2014, content producers around the UK are scrambling to battle stations in order to meet the challenges presented by the DPP delivery requirements based around AMWA AS-11 standard. Such a rigid specification may seem a daunting and complex step to tackle – but with the right tools, it’s easy to take advantage of the narrow parameters of the DPP standard and turn challenge into opportunity with cost and time savings further down the line.
One of the main challenges facing content producers is that the specification brings together several different practices into one delivery process – stringent QC practices, precise metadata schemas, and deep technical requirements. However, with a well thought-out workflow, all these can be neatly concatenated into an automated streamlined process.
Everyone’s ranting and raving about H.264 and other high-fidelity, low bit-rate compression formats. Already the weapon of choice for many deliverables around the world, especially internet streaming sources such as YouTube and Vimeo, what is it about this codec which makes it so clever? […]
Those of you based around the post production hub of London may have noticed the closure of Soho stalwart, Stanley’s Productions recently. Stanley’s had been supplying tape and discs, as well as duplication and conversion services to the TV and Film industries since 1975, but the changing market place and nature of the modern day […]
Bill Baker has joined ROOT6 Technology as a Junior Sales Engineer. Recently graduated with an Honours Degree in Physics from Southampton University, Baker served an internship with root6 in the summer of 2012.
Baker joins the product development arm of root6, recently re-sited in a new facility in Soho’s Berwick Street. His initial responsibilities will include […]
The Advanced Frame Rate Converter feature set is built around a powerful phase correlation motion estimation engine called PixelStrings™. PixelStrings performs analysis on each frame, mapping the velocity and direction of each individual pixel. It then uses that motion information to predict (or synthesize) new frames at any point in time. The result is smooth motion playback at any frame rate. […]
As previously discussed within this blog, file based workflows are now becoming the norm in post production and broadcast as companies move away from traditional tape based environments to an IT centric infrastructure. Companies are under financial pressure to reduce costs as program and equipment budgets are squeezed, yet at the same time need to be more efficient in their production, post production and distribution/broadcast environments.
Many Productions have moved to using file based cameras to record content. Nearly all productions are now edited using non linear computer based editing systems (NLE’s), many using shared storage to enable collaboration during editorial. File based delivery for commercials has been common now for a number of years. […]
Earlier in the year I wrote a blog post regarding the ability to automate file based ingest into an Avid environment including checking clips into Avid Interplay.
As previously mentioned file based workflows are now becoming the norm in post production and broadcast as more and more companies move away from traditional tape based environments to an IT centric infrastructure. Many companies are under financial pressure to reduce costs as program and equipment budgets are squeezed, yet at the same time need to be more efficient in their production, post production and distribution/broadcast environments. […]
Broadcast technology solutions provider VIDI, has been appointed as reseller for ContentAgent in Germany. Established for more than twenty five years, the Darmstadt-based company enjoys a reputation with national and international clients for innovative solutions and services. […]
While File based delivery is becoming the defacto in post production and broadcast. Many companies are under financial pressure to reduce costs as program and equipment budgets are squeezed, yet at the same time need to be more efficient in their program mastering, delivery and distribution.
ContentAgent, the file-based workflow management tool from ROOT6 Technology, offers a number of tools for automating transcoding tasks and now offers VidChecker integration to facilitate automated file-based QC and automated file correction in workflows designed for broadcast and web deliverables. […]
File based workflows are now becoming the norm in post production and broadcast as more and more companies move away from traditional tape based environments to an IT centric infrastructure. Many companies are under financial pressure to reduce costs as program and equipment budgets are squeezed, yet at the same time need to be more efficient in their production, post production and distribution/broadcast environments. […]
Red Digital has become synonymous over the last 4 years for enabling filmmakers around the world with the first 4k digital camera in an affordable package, which produces excellent images.
Since Red’s first camera system was released in 2007 (the RED One) two other cameras have been released, the EPIC, which can record images up to 5k resolution and Scarlet, a lower cost camera system for independent filmmakers.
While RED cameras produce excellent images out of the camera, the files need to be processed to be usable in many workflows (similar to a DSLR stills camera requiring RAW files to be processed). RED R3D image files require processing before being viewable (and useable) by other applications for post production and distribution of the final product, program, edit etc… […]
Dodge College of Film and Media Arts, part of Chapman University of Orange, California and one of the premier film schools in the U.S. has created ‘ProjectHQ,’ an automated web service for students and staff that utilises the advanced API capabilities within ContentAgent.